All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2026-05-27 01:38 am

Movies you felt differently about after a rewatch

Posted by /u/Winter_Awareness_747

I didn't dislike 28 Years Later on my first viewing. I actually thought it was pretty good. But the second viewing was a different experience and it broke me open emotionally. We hit that third act and I'm moved to tears at the beauty of it. Now I've gone from liking it to being head over heels for it.

For some movies, it's the opposite where I like it at first but then I rewatch it once or twice and I start to like it less. I'd say the most recent movie this happened to me with was Longlegs. Initially liked it but enjoyed it less and less with every rewatch. Any experiences like that for you? Something you initially liked and now don't or vice versa?

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All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2026-05-27 01:37 am

Just watched "Backrooms" (no spoilers in OP).

Posted by /u/TatteredTongues

Got lucky and scored some tickets for an early screening.

First off, let me just say I've always been a huge fan of liminal spaces in general, and I've also been following (and loving) Kane's series since the very beginning.

So of course, I was a little biased going into the film, certain that I was sure to love it, but also knowing that some things might not translate all that well from youtube to the big screen.

And let me just say, as someone who's a pretty big fan of his work (Backrooms and beyond), I think he knocked it out of the park.

If you like everything about the directing and storytelling of his videos, then you're in for a treat, because it's identical.

I thought it was a meme going around, but it is genuinely pathetic to see some fucking nobodies stating that Kane didn't actually direct the film, but someone else more experienced did.

No, this is 100% Kane Pixels content through and through, and I'm not just referring to how everything plays out inside the Backrooms, but also to everything else on the outside.

It's atmosphere and character-driven, and it's also a film that's not afraid to take its time to just let the tension build. I'm really glad that they didn't feel the "need" to just add needless jumpscares and the like.

Don't get me wrong, some people in the audience yelled and jumped out of their seats a good amount of times, but again, this is pure Kane Pixels content, and not a mainstream version of his series.

It's accessible, even if you haven't seen the series, but do not go in expecting answers to every little thing, although the film does provide the viewer with a substantial amount of info.

Watching the series beforehand (and/or reading about it) will not only give you a ton of context, but also some possible answers for some of the questions that you might have.

You don't NEED to have seen the series, but it will enrich the experience significantly, whether you watch it before (so you can have a better clue as to what MIGHT be going on), or after, if you feel like delving in and learning more.

I'm not opposed to answering some questions in the comments (so anyone reading this, beware), however I will NOT be spoiling anything or answering questions that might be too telling. I know lots of other people have seen the film already so I'm sure you can already find answers floating around if you really want to.

But I think fans of his will have a great time, especially if they go in blind (I didn't watch any of the trailers, but did revisit plenty of his episodes).

So yeah, it was great, hope it does really well and his fans love it just as much. Again, feel free to ask anything, but please stick to general questions, I prefer to avoid anything related to the actual plot.

Cheers.


EDIT: wanted to add, in terms of tone and vibes, reminded me a lot of Channel Zero (series), particularly Seasons 2 and 4, but also just the tone in general and the eeriness.

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cornerofmadness: (Default)
cornerofmadness ([personal profile] cornerofmadness) wrote2026-05-26 06:23 pm
Entry tags:

The workshops were...different

I had a hypoglycemic event last night so of course the correction left me over 300 this morning and for some reason my phone did not go off when I set it. It went off when I was getting up the last two days so I was cranky about getting to the breakfast with barely time to get to the first workshop.

It was an oddly laid out place with workshops all over the damn place (I did not bring my cane. I will bring it tomorrow) My first workshop was moved all the way across campus so I went to the one next door. Not really a topic that interested me that much but I did get some helpful things from it for the syllabus.

Work shop number two was canceled. Boo. I wanted to do the dungeon crawl case study escape room thing. I went to the one next door. This one was interesting, talking about how out dated some of the graphics and concepts we still use are and I was wondering why some of it hasn't been adopted.

The lunch hour was something else. I have been going to these off and one for 16 years and this is the first time the line was insane (I was literally in a different building) They had one table of food and RAN OUT. There is no real excuse for this because they know how many people have registered, not sure who messed up. Luckily more food was cooked up (didn't go with the rest of it mind you). I got my food 10 minutes before the afternoon session started.

That was a case study one by a former doc turned teacher (similar to my story) and...for the first time I used ChatGPT to create the case studies and I was a bit terrified at how fast it did it and relatively accurate too. In talking to a few others I might remove the extended responses from my exams and put in simple case studies (as the nclex for the nurses are all going to those). Also it made me very sad to write this case study as a SOAP note (even though I am relieved I no longer have to write SOAP notes any more, the medical record a doc writes every time they see you).

My last workshop was a bust. No one showed up. I moaned not again. I don't want to sneak into another workshop late again. And my table mates say why bother? Let's just go get on the bus and go home. And so we did.

Also at lunch I brought out my heavy ass laptop because the blaster box for Hazbin Hotel was dropping at noon (10 minutes late as it turns out) it's their new card set and it will sell out. I managed to get it...twice over because I fat fingered my touch screen and it would NOT let me empty it out probably because it sold out in minutes and I'm like fine, I'll buy it because I can either sell it whole or more likely get the cards out and sell them separately. These cards have been selling out in under 5 minutes and people are reselling them for hundreds. I won't do that but I can sell it for easy 10-20 a card if I wanted to. I can recoup this and each one has an ultra rare and rare and other specials. Those I'll keep. Have I mentioned I love cards? I've been collecting them since 1977 with Star Wars (I even have the 70s era Planet of the Apes tv show), I have shit tons of Buffyverse and Fullmetal Alchemist cards. I have the entire Sandman set including chasers (probably worth a lot less now that we know how skeevy Gaiman is)

Dinner was chicken speidini at Garozzo's, yummy but I almost wish I had ordered the other chicken dish (they're credited from turning the traditional beef speidini to chicken) because I didn't like the pasta that came with this. I would have enjoyed the garlic/olive oil one with the other dish. I haven't eaten the tiramisu yet.

I also DID buy my Kansas City Gangster tour ticket for Saturday at 10. All the afternoon ones were sold out but you know what I don't mind. I have been getting up early for days now and once I get that over with I'll have time to do my afternoon stuff. Now to sit down and figure out my tourist days. I know what I want to do Thursday but now for the rest of the weekend.

Have fannish 50 the questions, I'm using Buffy for this

Day 4: Least favourite female character. This was much harder than it should be. I decided I wasn't going to use any one off characters and using Joyce or Dawn felt too easy. I didn't hate them. Joyce made a lot of bad choices that annoyed me and Dawn was...supposed to be younger than who was cast so I don't actually blame the character for being off.


I went with Kendra. She was a poorly drawn character. I liked that they went with the naivete/lack of social awareness because she was never a girl. She was just a weapon to be used until she was killed. That was a nice contrast to Buffy's wild side. Maybe it was that she came off as rather...dumb and that the one character of color on this whole show (other than Giles' girlfriend and Mr. Trick, a villain) was there really to make the white characters look better. It was uncomfortable. She was there to die (so much for the traditional training).

all questions under here )
All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2026-05-27 12:51 am

Just finished watching Over your dead body (2026).

Posted by /u/TheBronsXX

Overall I thought it was a great movie and didn't find myself getting bored. It started off as a dark comedic vibe then very quickly turned extremely dark and violent not so much comedy. I laughed out loud many times whilst watching and the ending was really good. I did find it uncomfortable to watch at some points but that's what makes it horror. Samara Weaving was fantastic as always. Every film she is in just makes a difference. I'd rate it a solid 8/10. What did you guys think?

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All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2026-05-26 11:47 pm

If you could make a horror movie, what would you put in it?

Posted by /u/Away-Fill5639

What would it be about? What are the things that truly spook you? Would you recreate a classic or would you imagine your own? Would you do a spin on a classic topic? Western zombies? Space body horror?

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torachan: john from homestuck looking shocked (john shocked)
Travis ([personal profile] torachan) wrote2026-05-26 06:38 pm
Entry tags:

Daily Happiness

1. Back at work today, boo. But at least it's a four day week now.

2. I took the leftover Chinese chicken salad from Sunday for lunch today and it was so good. I think I'll start making up a big batch for lunches once in a while as it's definitely the kind of salad that can be made up ahead of time and then just add the crunchy wonton strips before you eat it.

3. I usually get the same few poses of Tuxie because he's always in the same spots, but this was a new one. :)

All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2026-05-26 11:40 pm

Cursed objects

Posted by /u/Ornery-Customer8521

Every day things that creep you out because you've watched too many horror movies.

Mirrors in the dark. I won't look at them, cursed object and window to hell. I pretend they aren't there but I feel them looking at me.

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All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2026-05-26 11:31 pm

The fact that there aren't more horror stories set in psychewards/carehomes/rehabs with mentally ill

Posted by /u/ConfettiBrownie

I'm writing this from the perspective of somebody whose actually had to go to a psyche ward before due to mental health issues, and a disabled person who has to rely on people to get places (i have epilepsy so I cannot drive), I think horror media has so much missed potential in terms of setting horror media in psychewards/carehomes for disabled people, including old folks homes and rehab centers. I think this mostly because horror heavily relies on the idea of being helpless and alone, and care facilities basically take people who are helpless and alone, and make them even more helpless and alone. They take our phones, they give us drugs, they put us in identical clothes, we have like 3 places we can hang out at and they're all these liminal ass hospital rooms with kids movies on the tv so we don't see anything that depresses us. You're very heavily monitered in these places, and you don't have any means to defend yourself unless you tell someone, and heaven forbid you see something unexplainable or distressing cause no one will believe you AND you'll get drugged up for freaking out.

I know there have been lots of horror media where psyche wards have been plot relevant, like the Candy man or the IT franchise, but I mean a movie that primarily takes place in a psycheward and has a protag that actually needs to be there. Not someone who isn't crazy and is just being held there cause people don't understand they're right, someone who HAS to be there for their own good and knows it. AND they can't use other disabled people for cheap scares, no gawking at other mentally ill people and being like "now THAT'S a crazy person", the scare has to primarily come from the doctors abusing you/being against your every move. I feel like so many pieces of horror use disability and mental illness as a way to horrify people without actually considering the people who deal with it as, ya know, people. Disable people's looks get used in horror media all the time, like with freddy kruger, and outside of depression mental illness in horror is almost strictly reserved to be an explanation for a dude killing their whole family. It'd be nice if there was more variety in the horror genre, ya know?

AHS asylum is like the closest thing i can think of to what i want, and even then it's not exactly what I want because AHS handles sensitive topics with all the grace of a sledgehammer.

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lucymonster: (troopers)
lucymonster ([personal profile] lucymonster) wrote2026-05-27 09:42 am

Another movie post: Casablanca, Violation

(When I start posting streams of film reviews all at once, just assume I'm in bed with a virus. That seems to be the way of things at the moment.)

Casablanca (1942): Casablanca, my beloved! I have previously seen and loved chunks of this movie but never, as far as I can remember, watched it the whole way through. It is so good. So utterly charming. Rick is an American expat who runs a popular café/bar in Vichy-controlled Casablanca, Morocco during WWII. After having had his heart broken by his beautiful ex-girlfriend Ilsa, Rick presents himself as a hardened cynic, out for himself and indifferent to the plight of all the refugees pouring through the city in their desperate efforts to escape from wartorn Europe. The act is not especially convincing. He has a long track record of fighting for the antifascist side in recent other wars, and is surrounded by a small core group of friends and employees who have been with him for years and to whom he is clearly unswervingly loyal. Nevertheless, he manages to more or less keep up the pretence until Ilsa unexpectedly shows up in town on the arm of Victor Laszlo, a famous Czech Resistance fighter who is on the run from the Nazis. Rick has it in his power to get Ilsa and Laszlo the visas they need to escape to America. Local Vichy and German leaders are bearing down on him. His own bitter feelings about Ilsa's betrayal tempt him closer to the dark side than any political pressure ever has. But the ending is perfect, and the whole film plays with the tension between political ideals and personal desire in the most touching, human way.

I need to watch a bunch more Humphrey Bogart films. He's just so unbelievably charismatic, and has a knack for turning roles that could be obnoxious into lovable forever favourites.

Violation (2020): Spoilery plot summary )

The only other rape-revenge movies I've seen so far are the I Spit On Your Grave remakes, and this was like their perfect polar opposite. The rapist is a normal dude who has a close established friendship with his victim; the rape is "non-violent" and papered over as a misunderstanding. The film basically took a death-grip hold of that "was it ~really rape, did it ~count as a trauma, is it actually my fault, did I not fight hard enough" feeling so endemic to our rape culture and did not loosen it for even a moment - fucking harrowing stuff, but harrowing in a completely different way than a more graphic, brutal rape scene is harrowing. There's a far heavier focus on the relationships involved than on the act of sexual violence; Miriam's strained bonds with her sister and husband seem as much a part of the trauma as her brother-in-law's betrayal. Most of the screentime is devoted to long, almost painfully intimate scenes of completely mundane human interactions. Miriam's revenge by contrast is almost surreal: she executes a meticulously planned murder and disposes of the body with nauseating thoroughness. Far from catharsis, the murder only seems to traumatise her worse than ever.

The cinematography was exquisite, albeit heavy-handed. I am not film literate enough to know what to properly call this but it felt like the audio-visual equivalent of what in a novel we might call MFA writing: polished to an almost distracting shine, packed full of "elevated" metaphors, reluctant to say anything in a simple character beat that could instead be said through several long minutes of obscure atmospheric shots. Extremely pretty! Very artistic! SO pretentious! There is one quite surprising scene immediately before the murder where we zoom in super close on the rapist's naked erection. I don't think I've ever seen a head-on shot of an erect penis outside of porn. I thought the choice to show that so explicitly was an interesting contrast to the rape scene, which was filmed in this uncomfortably evocative, eroticised but completely non-explicit way: lots of heavy breathing, undulating fabric, grabbing hands, zero other skin on display.

I have loved nonlinear narratives in written fiction and I'm sure there are many ways I'd love them in film; in this case it felt like one abstraction too many, and I had a much better time once I gave up around the one-third mark and looked up a linear plot summary on Wikipedia. I guess in summary I'm not entirely sure what I make of this film, but watching it sure was an Experience.
musesfool: close up of the Chrysler Building (home)
i did it all for the robins ([personal profile] musesfool) wrote2026-05-26 07:18 pm
Entry tags:

gimme the ring, kissed and told

Now you know I'm not a big basketball fan but with the Knicks in the finals I will probably be talking about it some, especially since the Mets are so terrible and it looks like the Habs might not be moving on. I don't wanna root for the Canes. I do not like them! But I cannot root for VGK, so it is what it is.

Anyway, this was a fun article about Victor Wembanyama, the Spurs center, and the "Read like Wemby" campaign a library in San Antonio started. (Ignore the snobs in the comments talking about how he should read "real" literature instead of SFF - they are not serious people.) I love when libraries do stuff like this and they are always doing cool stuff like this.

*
douqi: (couple of mirrors)
douqi ([personal profile] douqi) wrote in [community profile] baihe_media2026-05-26 11:18 pm

Her Lips, Her Kisses (她的唇,她的吻) Adaptation Announced

A live-action drama based on Taiwanese baihe novel Her Lips, Her Kisses (她的唇,她的吻, pinyin: ta de chun, ta de wen) by Xi Cheng (希澄) has started filming as of 25 April. This will be released under the English title She and Hers (why is every recent baihe-related live-action thing called this, smh) and is planned to have 12 episodes of 30 minutes each.

The novel is centred on the fashion industry, and focuses on the relationship between industry rivals Wei Lan and Xiao Li-xuan. At least, Wei Lan believes they are rivals; she has no idea that Xiao Li-xuan has been nursing a secret crush on her. One of the leads will be played by Yuan Moyao, who has a supporting role in Fragrance of the First Flower. Further information (in Chinese) available here and here.

This is to my knowledge the first baihe novel to have been licensed for a live-action drama (i.e. a multi-episode production, which excludes When We Met). From what I gather, Xi Cheng is a pretty popular author on the Taiwanese scene. She publishes mainly on Popo (her profile here). She also has an Instagram account. Her Lips, Her Kisses has been published in print (though my usual purveyor isn't offering international shipping on it) and as an ebook that can be purchased through, as far as I know, Kobo and Google Play (just search the Chinese title).
tielan: (don't mess with)
tielan ([personal profile] tielan) wrote2026-05-27 08:53 am

plotting

Black Jewels A:tlA fic.

Additionally: wondering how it is that there are 80,000 fics for this fandom and only two sedoretu fics. This canon is MADE for it. The damn situation is practically PAVED with bricks (fics?) of gold. HOW.

And the two fics are, of course, not Zutara fics, which is my pairing pref. I'd go Katara/Zuko/Sokka/Suki tbh rather than the four benders, because one of the ways LeGuin set up sedoretu relationships was for inheritance lines - a brother and a sister marry and share their partners.

EXHIBIT A: Southern Water Tribe sibs.

Especially when a lot of the fanon I like around the SWT involves a less restrictive sexuality before marriage (but fidelity after).

...see? Like I said: plotting.

Also: heeeeeelp.
All Things Horror: From Movies & TV to Books & Games ([syndicated profile] allthingshorror_feed) wrote2026-05-26 10:17 pm

Movie you'd like to see remade into a horror

Posted by /u/Ornery-Customer8521

The 7th Voyage of Sinbad and Clash of the Titans.

Want them to learn in hard on the horror. Great monsters that can fuck people up in all sorts of creative ways.

More monster horror!

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Ars Technica - All content ([syndicated profile] arstechnica_feed) wrote2026-05-26 10:27 pm

Is Peter Thiel the target of Pope Leo's Gandalf quote? An investigation.

Posted by Nate Anderson

I'm not suggesting that a man like Pope Leo—the Vicar of Christ, the Bishop of Rome, the Servant of the Servants of God—would stoop to anything quite so base as "trolling" the onetime PayPal co-founder and current Antichrist alarmist Peter Thiel. But I'm also not not suggesting it, if you see what I mean.

How else to explain the novel appearance of Gandalf—yes, the pipe-smoking wizard!—in the pages of one of Catholicism's most important documents, a major papal encyclical about AI and technology? Perhaps Leo, who was born and raised in Chicago before spending decades in Peru, is simply a big J.R.R. Tolkien buff who can't get enough of magic rings, Eldar lore, and tricksy little hobbitses. Or perhaps Leo is sending a message.

In his new encyclical, released yesterday, Leo quotes one literary character in the entire 40,000-word document. It's Gandalf, doling out some of his wisdom in a scene from Return of the King: “It is not our part to master all the tides of the world, but to do what is in us for the succour of those years wherein we are set, uprooting the evil in the fields that we know, so that those who live after may have clean earth to till.”

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Ars Technica - All content ([syndicated profile] arstechnica_feed) wrote2026-05-26 09:23 pm

Musk says US military suicide drones used Starlink in violation of SpaceX rules

Posted by Jon Brodkin

SpaceX and the Pentagon have been bickering about the price of using Starshield satellite service during the Iran war, according to a Reuters report published today. It appears that SpaceX asked the military for more money after it started using satellite terminals on "kamikaze" attack drones in Iran.

SpaceX CEO Elon Musk claimed the Reuters report is wrong. But Musk also said the military drones initially used the commercial Starlink service instead of the government-specific network, in violation of Starlink's terms of service. Musk blamed the violation on the contractor that built the drones for the government.

The Reuters report, based on Pentagon documents and interviews with sources familiar with the pricing talks, said that SpaceX recently asked the military to pay $25,000 for Starshield access on each kamikaze drone. The Pentagon, which previously paid $5,000 for each connection, objected to the price hike but ultimately agreed to pay it, according to Reuters.

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Ars Technica - All content ([syndicated profile] arstechnica_feed) wrote2026-05-26 09:03 pm

NASA takes steps toward building Moon Base, including discussing a "perimeter"

Posted by Eric Berger

NASA officials announced contract awards for the initial elements of a lunar base on Tuesday, including two rovers that will provide mobility to astronauts.

With the series of announcements, NASA Administrator Jared Isaacman sought to maintain momentum around a Moon Base initiative revealed two months ago as part of the space agency's return to the Moon. "For those waiting patiently, the grand return is close at hand, and we will not slow down," he said.

The manager for the lunar base, Carlos Garcia-Galan, said the space agency had selected two companies, Astrolab and Lunar Outpost, to build approximately one-ton rovers that would be ready for delivery to the Moon in 2028. Astrolab will receive $219 million for its "CLV-1" rover, and Lunar Outpost $220 million for its "Pegasus" rover, building upon initial contracts awarded two years ago. Each rover is expected to have a range of 200 km and be capable of driving autonomously, with guidance from operators on Earth, in addition to being driven by astronauts.

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