donutsweeper (
donutsweeper) wrote2009-01-08 02:11 pm
Entry tags:
Babble on POVs
Just a question, and I'm not sure of the correct terminology here, but when reading (or writing), do you prefer a tight 3rd person POV (where all events are seen and interpreted through one character's eyes) or switching between people's 3rd person POV with obvious page breaks or markers to show the new POV?
For example- my entire Charming the Pants off the Pashahads SGA/Jack crossover is told from Sheppard's POV, there is no scene where we see what Jack thinks about falling into the Pegasus Galaxy. At points there are Sheppard's interpretation of Jack's actions (he notices a hedged answer, an avoided question, but doesn't know why Jack answered that way). If it had been written with switching POV's there could be the scene from Shep's perspective, noticing what he notices and wondering about it, followed by the same scene retold from Jack's, where he explained the reasons for saying what he did. There also could have been scenes left out from the story the way I told it- I never did explain how Jack managed to get his hands on the Pashahads (because Sheppard wasn't there and wouldn't know).
I've been noticing more and more of the latter showing up in stories lately. Presuming this babble actually makes sense to anyone, do you notice the difference between those types of POV styles and do you like one more than the other?
For example- my entire Charming the Pants off the Pashahads SGA/Jack crossover is told from Sheppard's POV, there is no scene where we see what Jack thinks about falling into the Pegasus Galaxy. At points there are Sheppard's interpretation of Jack's actions (he notices a hedged answer, an avoided question, but doesn't know why Jack answered that way). If it had been written with switching POV's there could be the scene from Shep's perspective, noticing what he notices and wondering about it, followed by the same scene retold from Jack's, where he explained the reasons for saying what he did. There also could have been scenes left out from the story the way I told it- I never did explain how Jack managed to get his hands on the Pashahads (because Sheppard wasn't there and wouldn't know).
I've been noticing more and more of the latter showing up in stories lately. Presuming this babble actually makes sense to anyone, do you notice the difference between those types of POV styles and do you like one more than the other?

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I'm trying to keep my 3rd person pov much tighter now than I used to, the Mystery We Are, for example, was pretty much written as 3rd person omni/switching but I tried to make sure there were at least paragraph breaks between each shift and I rarely wrote the same scene from more than one pov at the same time, with one major exception that springs to mind, but it was smut so I'm not sure that's as important and it worked for that part of the fic anyway.
In comparison my current WIP Eight Hours is mostly from Jack's pov, though it actually starts out from Ianto's pov. Once you get two paragraphs into the second part it switches (with a nice properly marked delineation, natch) and then stays with Jack no matter what is going on for the rest of the fic (or it will do once it's finished).
To me it's actually a lot easier to write 1st person rather than a tight 3rd person pov, but I know a lot of people don't really like 1st person stuff. It depends on the fandom and the character as to whether 1st person works or not I think for instance that Dresden Files lends itself more to 1st person as that is how the books are written, but there's no way in hell I could write Jack or Methos from a 1st person pov. However I think they both work well as characters being seen from a 1st person pov though I suppose I would, having written them both that way.
And none of that is probably any help at all.
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I like (and most often write) tight 3rd person POVs. I just think they work best for me.
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I've done 2nd person or twice. It's damn hard, but really works when done well
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I switched, once, between 1st and 3rd (Battle Cry - SG1) and it was the only way to tell the story. There was also a time shift with the first person being in the 'present' (journal entries) and the 3rd being the actual story the journal entries were about. That's also the only story where I did both a gen version and a slash (no smut, sadly ;-) version. I can never really decide which version I like best. :-)
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That actually sounds like a really good reason to switch POVs and tense, combining past/present events like that
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It felt right at the time and it's still one of my favorite stories.
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Stick with Dresden 3rd person, I for one absolutely love it.
Nyah Nyah.
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I need to reread canon I think. I can't hear the characters well enough anymore.
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You know that makes me *so* mad. Concrit is all very well but to rip someone apart because their fic is from the 'wrong' POV? That STINKS *gnashes teeth*. I'm lucky I've manage to miss comments like that on the whole.
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I don't let negative comments bother me. Or I try not to anyway
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I think you just got one of those non-crossover purists who wanted to pick holes.
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I was terrified the first time I wrote from Harry's pov, not being that confident that I'd got the voice right. I feel much happier writing it now but it's probably significant that it wasn't until my 5th Dresden fic that I tried 1st person, though admittedly Harry wasn't the focus in those first fics.
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I loved ending up with a muse for a dog, that just made my day!
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