donutsweeper: (Default)
(meme borrowed and adapted from many people, altered a bit from last year's version)

stories: 24
fandoms: 16
new-to-me fandoms: 6
exchange/fest stories (including remixes): all 24
fannish origfic: 1
remixes (by themselves): 2

gen: 15
het: 2
m/m: 8
f/f: none
Multi: none

G rated: 17
T rated: 6
M rated: 1
E rated: 0

drabbles (100 words exactly): 4 (3 for multifandom drabble, 1 for yuletide)
ficlets (101-999 words): 3 (1 chocolatebox, 1 watson woes, 1 yuletide)
full length stories (1000+ words): 17 (1 trading losers, 1 chocolate box, 3 NPT, 2 remix, 10 Yuletide)
Long stories (10k+): none
My longest story this year was 5,925 words (Between Memory and Moment, Charmed fandom, written for NPT)

total word count: 41784

Fandoms (new-to-me starred):
*Call Me By Your Name
*Charmed (TV)
Forever
*Haunting of Hill House
*Kung Fu: The Legend Continues
The Losers
The Magnificent Seven (TV)
Original Fiction
*Outliers: Strange Stars
The Shadow
Sherlock Holmes (Downey films)
Sherlock Holmes - ACD
Southland
*Spinning Silver
The Usual Suspects
White Collar
donutsweeper: (capt salute)
Writing for an American fandom and sounding like a native is hard. Here and there posts about how to sound like an American have popped up but the past couple of times I've commented in those posts about how to speak like an American or New Yorker I've been jumped on by people who argue that they use different words than I suggested and that they say phrases that I consider non- American all the time. I'll admit that it's quite possible for an American to say "bloody stupid" but it's not typical and isn't, in my opinion, something that should be written in stories that are set in America.

One problem is America is huge. People speak differently depending on where they live and how old they are and when the story is set. The speech patterns that Hollywood and television and books tend to use are often an attempt at a generic, non-geographic version of American English, but a lot of times it is hard to pin down exactly what that is.

I've beta-ed for several non-Americans in many different fandoms and I'm glad to do it because nothing throws me out of a story faster than the mental image of Dean Winchester wearing a dress (jumper). Since writing fiction has been fighting me of late, I thought I'd try to put some of my thoughts on this topic to paper (or worddoc) to attempt to organize them. So here goes:

Cut to save your flist )
donutsweeper: (Default)
Since sometimes motivation is hard to come by here is a list of prompts, tables and list comms I sometimes troll to see if anything jumps out and gets the old muse interested.

[livejournal.com profile] 25moments and its prompt table

[livejournal.com profile] 15_song_titles and its song title prompt list

[livejournal.com profile] 36_plots and its prompt table

[livejournal.com profile] flashslash Tuesday prompts of 4 words to be written in 8 minutes.

[livejournal.com profile] 50scenes and its prompt table

[livejournal.com profile] prompted_quill daily, weekly and monthly prompts

[livejournal.com profile] alphabetasoup and its word lists (the comm does not appear to be accepting new claims but the lists are nice)
donutsweeper: (Default)
Another writing/reading question for people.

What are your opinions on creation suspense/tension by using exposition to show something outside of what the characters are aware of? For example:

Neither of them noticed the man on hill, watching their every move.


In visual media this is quite powerful, usually done by shifting the camera behind a bush and watching the heroes for a minute through that perspective (possibly with the slightest hint of someone or something pushing some of the branches out of the way.)

Is it a jarring effect in prose? Does it depend on the overall POV of the story?
donutsweeper: (Default)
When you have a scene with several characters in it I feel I a little more careful making it obvious as who is saying what.

Sometimes I manage this by using the character's movements:

"I don't know, Jack." Owen put his feet on the desk. "Seems to easy to me."

But a lot of the times I am stuck with:

"So what's next?" Jack asked.

"We could cross reference the new data with information from the archives," Ianto suggested.

"I can run another scan," Tosh offered, "See if I missed anything?"

"We order pizza. I'm hungry," Owen said.

etc, etc.

Do you find that annoying? Is it worse or better to use 'said' over and over or would you rather the word varied? Is there another way to do it?
donutsweeper: (Default)
Some stories start with a literal 'bang' where the build up/explosion/argument is shown and then the story backtracks to show how the characters got to that position and leads the reader back to the event and past it.  Other stories start at the beginning and move chronologically in order.  Occasionally, a story will jump around between two points main event points (sometimes one being told in flashback, sometimes not).  And so on and so forth.[Poll #1346977]Is there one that annoys you?  One you prefer? Oh great and brilliant Flist let me know what you think![Poll #1346977]
donutsweeper: (Default)
Just a question, and I'm not sure of the correct terminology here, but when reading (or writing), do you prefer a tight 3rd person POV  (where all events are seen and interpreted through one character's eyes) or switching between people's 3rd person POV with obvious page breaks or markers to show the new POV?

For example- my entire Charming the Pants off the Pashahads SGA/Jack crossover is told from Sheppard's POV, there is no scene where we see what Jack thinks about falling into the Pegasus Galaxy.  At points there are Sheppard's interpretation of Jack's actions (he notices a hedged answer, an avoided question, but doesn't know why Jack  answered that way).  If it had been written with switching POV's there could be the scene from Shep's perspective, noticing what he notices and wondering about it, followed by the same scene retold from Jack's, where he explained the reasons for saying what he did.  There also could have been scenes left out from the story the way I told it- I never did explain how Jack managed to get his hands on the Pashahads (because Sheppard wasn't there and wouldn't know).

I've been noticing more and more of the latter showing up in stories lately.  Presuming this babble actually makes sense to anyone, do you notice the difference between those types of POV styles and do you like one more than the other?

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